“Once I liked Turner very much, but now I like him less - he did not lay out his colour carefully enough, and he used too much of it. Monet retrospectively (and unconvincingly) denied any influence from Turner on his work: Like the Impressionists, he also used extremely opaque pigments to create the colour effects in his later works. Turner often painted on blue paper during this period of his career and it is this backing that produced the blue tones seen in The Scarlet Sunset. Like ‘Impression, Sunrise’, Turner’s painting features a limited range of colours and strong colour contrasts to create a hazy, striking painting. Monet would have seen the painting whilst in exile in London in 1870-71 fleeing from the Franco Prussian War. Much of the inspiration for the work was drawn from Joseph Mallord William Turner’s ‘The Scarlet Sunset’ from 1839-40. Impression: Sunrise was influenced by the English landscapist JMW Turner and by Japanese prints. Though the sun is less prominent, the same shades of grey are used, and Monet paints another rowing boat and more ships' masts in the background. The below painting, Sunrise (Marine), bears similarities to Impression: Sunrise. Monet in fact produced a number of other paintings of Le Havre, including five more canvasses on the same trip in 1873. And, like most of the impressionists, Monet makes sparing use of black (to emphasise the central rowing boat). Thirdly, the painting uses colour in a bold fashion - the eye is immediately drawn to the circular sun. The painting of modern life was key to the impressionists, who rejected the historical, allegorical and religious scenes favoured by the conservative art establishment. Secondly, this is a modern scene of a recently industrialised port. For example, he excluded some houses on the left side of the scene that he thought were too ugly! Monet did not paint everything that he saw.See, for instance, the very broad brush strokes at the top of the canvas. The painting was almost certainly produced in one sitting, as Monet raced to capture the rising sun.Instead, he sought to capture his impression of the scene. Unsurprisingly, Impression: Sunrise displays a number of key impressionist traits.įirst, and most importantly, Monet was not trying to produce a photographic representation of the port. The impression that the Harbour is shrouded in a light mist.Cranes and derricks on the dock, ready to unload ships (BLUE).Factory chimneys puffing out smoke (next to the clippers) (GREEN).The masts of anchored clipper ships (behind the second rowing boat), one of which can also be seen reflected in the water (YELLOW).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |